In 2026, it’s hard to believe that WandaVision is already five years old. And yet, revisiting it now, one thing becomes crystal clear: this show has aged exceptionally well. In fact, it may be getting better with time.
When WandaVision debuted, it felt like a gamble. A superhero series built around sitcom pastiche? Black-and-white episodes? Laugh tracks? Slow pacing? But what initially looked quirky or confusing revealed itself to be something far more ambitious. WandaVision wasn’t just trying to entertain—it was trying to understand grief, and more importantly, how people often process it incorrectly.
At its core, WandaVision is a psychological case study disguised as genre television. It masterfully mashed together suspense, horror, dark satire, and superhero tropes, while anchoring everything in the interior life of a deeply flawed protagonist. Wanda Maximoff isn’t presented as a traditional hero here—she’s a grieving woman who has lost everything, and instead of healing, she retreats into fantasy and control.
That’s what makes the series so powerful. WandaVision isn’t really about powers or villains. It’s about denial. It’s about avoidance. It’s about what happens when someone with immense power refuses to sit with pain—and instead rewrites reality to avoid it. The show never lets Wanda off the hook, but it also never turns her into a cartoon villain. It allows her to be complicated, sympathetic, and deeply uncomfortable all at once.
That level of nuance was rare then—and it’s arguably even rarer now.
WandaVision also stands out because of when it arrived. This was Marvel Studios on Disney+ before the content flood, before the oversaturation, before the looseness started creeping in. There was restraint here. Confidence. A willingness to slow down and trust the audience. Each episode felt intentional, not algorithm-driven.
The supporting cast elevated the series even further.
The show introduced the adult version of Monica Rambeau, aka Photon, portrayed beautifully by Teyonah Parris. Monica’s storyline quietly became one of the emotional pillars of the show. She, too, was grieving—having lost her mother during the Blip—and yet she processed that loss in a radically different way than Wanda.
Monica’s empathy, strength, and restraint made her an outstanding supporting character, grounding the story when things became surreal. Her introduction felt organic, earned, and meaningful—not rushed, not flashy. In hindsight, WandaVision did a remarkable job of launching her into the MCU while letting her remain human first, superhero second.
And then there’s Agatha.
Agatha Harkness, played by the endlessly charismatic Kathryn Hahn, nearly stole the entire show. What could have been a one-note antagonist turned into something far richer: mischievous, menacing, hilarious, and unsettling all at once. Hahn leaned into the theatricality without ever breaking the emotional reality of the world.
“Agatha All Along” wasn’t just a catchy reveal—it was a reminder that villains, when written with personality and purpose, can elevate a story instead of flattening it.
Five years later, WandaVision feels like one of Marvel’s boldest creative swings—and one of its cleanest hits. It trusted tone over noise. Emotion over spectacle. Character over franchise maintenance. It asked viewers to sit with discomfort instead of rushing toward catharsis.
If Marvel ever decides to do a season two, I’ll be there. Patiently. No rush. Because WandaVision proved that when Marvel takes its time and respects the audience, the results can be special.
So if you haven’t revisited WandaVision in a while, now’s the time. Watch it with fresh eyes. Strip away the weekly speculation, the internet theories, the noise of release-era discourse.
What’s left is a haunting, thoughtful exploration of grief—wrapped in a superhero shell. And five years later? It still holds up. It still resonates. And it may only continue to grow in stature.
So in honor of this I did a mash up of Wanda Vision imagery, clips, fan art and more against the theme song against I Dream Of Jeanie. Enjoy!
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