Alison Oliver("Cumbres borrascosas'): "Emerald Fennell es muy buena encontrando luz en la oscuridad"

Emerald Fennell: "Cuando el deseo te tiene agarrado, todo cobra un sentido erótico"

Belén Rueda: "El que disfrutó 'EL ORFANATO' va a disfrutar 'EL VESTIDO'"

Jacob Elordi ('"Cumbres borrascosas'"): "Los artistas necesitan tener libertad absoluta"

Luis Tosar and Claudia Salas: "'SALVADOR' faces what's happening head-on, measures must be taken"

'FATHER THERE IS ONLY ONE, THE SERIES': "Each child has their own vision of the world and their o...

Carmen Machi ('AIDA Y VUELTA'): "Humor can save your life, or at least ease it."

Enrique Arce ('ÍDOLOS'): "It's been great working with a legend like Jorge Martínez 'Aspar'"

Mat Whitecross, director of 'ÍDOLOS': "Ana Mena and Óscar Casas have incredible chemistry"

Ana Mena and Óscar Casas get their act together and tell us the best and worst of working togethe...

¿Quién es más aprehensiva con la sangre, Fiona Dourif o Shabana Azeez (‘The Pitt T2’)?

Daniel Sánchez Arévalo: "'RONDALLAS' touches your heart, caresses your soul"

Tamar Novas and Carlos Blanco: "'RONDALLAS' is intelligent family cinema"

Javier Gutiérrez and María Vázquez: "With 'RONDALLAS' we're going to stir something up inside eac...

Dan Shotz ('PERCY JACKSON' T2): "Tuvimos a los chavales empapados durante 13 días seguidos”

Rick Riordan sobre la licencias en 'Percy Jackson': "Mitología es metamorfosis, literalmente cambio"

El reparto de 'PERCY JACKSON' sobre el éxito de la serie, sus fans españoles y quién es el líder

Oona Chaplin: "If my grandfather could see 'AVATAR: FIRE AND ASHES' he would have a fit."

¿Dios, semidiós o criatura? El reparto de 'PERCY JACKSON' crea su Olimpo español

Asia Ortega ('FRAGMENTS'): "For me, love hurts, it's a marriage of convenience"FR1

Emma Suárez ('FRAGMENTS'): "The fun thing about life is that it confuses you and transforms you"

Joseph Kosinski: "Con 'F1' queríamos hacer la película de carreras más auténtica de la historia"

Judith Colell ('FRONTERA'): "Without memory, propaganda fails"

Miki Esparbé ('FRONTERA'): "We witness what happens, but scrolling dehumanizes us"

Mercedes Ron on the adaptation of 'DÍMELO BAJITO': "There isn't a single scene I miss"

Fernando Lindez ('Tell Me Quietly') and intimacy: "We haven't felt exposed at any time"

Dani Rovira ('WOLF PLAYA'): "The director's job is something so magnanimous"

Javier Veiga ('PLAYA DE LOBOS'): "I prefer to work obsessively, I don't dare to improvise"

Eduardo Casanova ('SILENCE'): "Comedy is the best lubricant for everything"

María León ('SILENCE'): "In 30 years Eduardo Casanova will still be modern"

Martín Cuervo, director of 'ALICES': "It's the film in which I've thought the most about the gag"

Leo Harlem ('ALIBES'): "Our adaptation is better than the French one"

Jaime Lorente: "'COARTADAS' me parecía disparatada y tuve muy claro que tenía que hacerla”

Jared Bush: "'Zootrópolis 2' trata sobre encontrar nuestros puntos fuertes en las diferencias"

Paula Ribó: "'Zootopia 2' helps us understand that everyone deserves to be loved, respected, and ...

Kit Harington: "'PLAN EN FAMILIA 2' a veces es tierna, otras más tonta y con buena acción"

Simon Cellan Jones ('PLAN EN FAMILIA 2'): "A la gente le encanta ver películas sobre familias"

Mark Wahlberg: "'PLAN EN FAMILIA 2' es cercana, muestra los baches de cualquier familia"

Así cambian las dinámicas familiares en 'PLAN EN FAMILIA 2'

Álvaro Morte ('ANATOMY OF A MOMENT'): "Adolfo Suárez had his light and dark sides"

Miki Esparbé ('ANATOMY OF A MOMENT'): "The far right tries to romanticize the dictatorship"

'ANATOMY OF A MOMENT' and the reasons of the three traitors

Jon M. Chu ('WICKED: PARTE II'): "Vemos monstruos nacer cada día"

Fernando Cayo: "'REVERSION' is a film that generates debate"

Isak Ferriz ('LEO & LOU'): "Sign language should be taught in schools"

Carlos Solano ('LEO & LOU'): "I feel strange putting so much pressure on such a small person"

Jaime Lorente ('REVERSION'): "It has been complex, because the essence of the film is fragmentation"

Javier Cámara praises the ‘Jakarta’ team, of which Carla Quílez says: “They are wonderful people”

Dan Trachtenberg ('PREDATOR: BADLANDS'): "Me encanta crear un relato impredecible"

Elle Fanning: "'PREDATOR: BADLANDS' es muy emocionante, va sobre la familia elegida"

San José and Trapé ('JAKARTA'): "Society presents success as the only goal in life"

Najwa Nimri ('BREATHE'): "The ethics and morals of politicians cater to their needs"

Manu Ríos ('BREATHE'): "It's difficult to stay true to yourself when you're being pushed in the o...

Carlos Montero ('RESPIRA'): "Beyond the licenses, we see healthcare workers as heroes"

Pablo Alborán arrives at 'RESPIRA': "I've always wanted to dedicate myself to art, I didn't care ...

Alberto Rodríguez, on the challenge of filming 'LOS TIGRES': "It was worth taking the risk"

Antonio de la Torre ('LOS TIGRES'): "The crew got seasick during filming, except for Bárbara Lenn...

Andy Muschietti: "In 'IT: Welcome to Derry' I felt the need to go further in intensity."

Irene Escolar: "'LA RUTA. VOL. 2: IBIZA' speaks of legacy, of how wounds and lights are passed on."

Marina Salas ('THE ROUTE. VOL. 2: IBIZA'): "Ibiza has been a focal point of capitalism's impact."