NOSSO SEGREDO | "O surreal é o que melhor representa a história do Brasil", afirma Grace Passô

IVÁN & HADOUM, um filme que não associa pessoas trans ao sofrimento, diz Ian de la Rosa (Entrevista)

Wuthering Heights | Love reveals the worst in people in Emerald Fennell's version | Review

PANIC ROOM | Brazilian version respects the story of David Fincher's suspense (Review)

MARTY SUPREME is a true lesson in filmmaking (Review)

EXTERMINATION: THE TEMPLE OF BONES has an impeccable script and actors, but problematic cinematog...

KISS OF THE SPIDER WOMAN | Musical with Jennifer Lopez shifts the focus from Babenco's drama (Rev...

HAMNET - LIFE BEFORE HAMLET feels like an old-fashioned movie (Review)

THE GREAT FLOOD | The perverse game of perfect motherhood (Review)

Top 20 | The best Brazilian films of 2025

ANACONDA plays with the original film and respects Brazilian culture (Spoiler-free review)

Top 20 | The best international films of 2025

DEAD OR ALIVE: A Knives Out Mystery | Third film takes itself too seriously (Spoiler-free review)

THE MAID | Review of the thriller adapted from Freida McFadden's book (Version WITH and WITHOUT s...

REMAINING BOOKS | Denise Fraga and Augusto Madeira in a drama by Marcia Paraiso (Interview)

Sidney Magal and cinema | "My concern is being too much like Magal" (Interview)

BUGONIA is a cynical film by Yorgos Lanthimos and Emma Stone (Spoiler-free review)

RESONANCE | The strength of women over 60 is the subject of a film by Anna Zêpa, starring Soia Li...

CINEMA: Aspirins and Vultures | Marcelo Gomes discusses the twenty years of the classic film.

HOMO ARGENTUM | Are you familiar with the controversial Argentinian comedy championed by Milei an...

APOLLO | Pregnancy of trans men in relationships with trans women is the subject of a film (Inter...

THE SURVIVOR | Comparison of the films 2025 and 1987 (Review of The Running Man)

The Secret Agent | Kleber Mendonça Filho discusses humor, dictatorship, and a mysterious hero (No...

VIRTUOUS WOMEN | A horror film about ultra-conservative women (Interview)

Peter Debruge (Variety) | How to write a film review? Good criticism and the crisis of cinema.

FRANKENSTEIN | Guillermo Del Toro Discusses the Real Monster in New Version (Review)

THE BLACK TELEPHONE 2 | Horror sequel gets more sentimental and religious (Review)

SALVE ROSA | A warning about child influencers by Klara Castanho and Karine Teles (Interview)

AFTER THE HUNT | Luca Guadagnino traps Julia Roberts in dark thriller (Review)

THE FINAL EPISODE | The Wonder Years and Stand By Me inspire Brazilian film (Interview)

Sans Soleil, Sunless, by Chris Marker | My favorite movie of all time (Review)

PERRENGUE FASHION | The Amazon deserves a better comedy than this (Review)

ONE BATTLE AFTER ANOTHER | Paul Thomas Anderson's Most Action-Packed Film (Review)

THE SECRET AGENT | Brazil is crime and Carnival in Kleber Mendonça Filho's masterpiece (Review)

SUÇUARANA | Road movie brings a melancholic portrait of the deep Brazil (Interview)

DREAMING WITH LIONS | Denise Fraga in a comedy about death, by Paolo Marinou-Blanco (Interview)

THE CONJURING 4: THE LAST RITUAL | Ed and Lorraine Warren's ending is more sentimental than scary

SALOMÉ | Film brings queer version of biblical princess (by André Antônio and Aura do Nascimento)

KPOP WARRIORS (Kpop Demon Hunters) | Analyzing the cultural phenomenon of Sony and Netflix

C.I.C. CENTRAL INTELLIGENCE OF CEARÁ | The Brazilian James Bond by Edmilson Filho and Halder Gomes

NOBODY 2 fixes the problems of the first film and improves action scenes (Review)

BRING HER BACK | Impressive horror about grief and its monsters (Review)

CARLOTA JOAQUINA, PRINCESS OF BRAZIL | The classic returns to the cinema in a restored version (I...

Weapons is better at building tension than solving the mystery (Review)

IN THE HEAVEN OF THE HOMELAND AT THIS INSTANT | Brazilian politics by Sandra Kogut (Interview)

TOGETHER | A horror film about emotional addiction, starring Alison Brie and Dave Franco

PATERNO | Marcelo Lordello's provocative film, starring Marco Ricca, premieres (Interview)

Materialist Loves criticizes our cynical and self-serving relationships

The best and worst of the new HORROR CINEMA, with Carissa Vieira, Igor Pinheiro and Bruno Carmelo

FANTASTIC FOUR: FIRST STEPS and the great wave of films with fragile superheroes (Review)

I KNOW WHAT YOU DID LAST SUMMER 2025 vs. 1997 | What's Changed? (Spoiler-Free Comparison)

A WOLF AMONG THE SWANS | The true story of dancer Thiago Soares hits the big screen (Interviews)

Have movies become generic? (About Superman, Jurassic World, Lilo & Stitch...)

SUPERMAN gets hit hard in film that discusses heroism today (Review)

MEGAN 2.0 | Sequel swaps horror for action and sci-fi (Review)

3 OBÁS OF XANGO | Jorge Amado, Dorival Caymmi, Carybé and the Bahian identity (Interview with Sér...

Marisa Orth | "Humor has become more intelligent" (Interview)

ELIO | Disney and Pixar make great animation that fails at the box office (Review)

EXTERMINATION: EVOLUTION is one of the best films of the year (Review)

STEFANO VOLP | "Dry", the writer's first film, is based on the short story Black Men (Don't) Cry