Today's musicians have it harder | Luis Mario Garza (Pesado)

La convivencia real detrás de Pesado | Luis Mario Garza

When you earn your first paycheck making music | Luis Mario Garza (Pesado)

La hermandad entre bateristas | Luis Mario Garza (Pesado)

Constant cohabitation in a band can also be tiring | Rubén Albarrán

Café Tacvba and the art of conceptualizing | Rubén Albarrán

When he didn't have a drum set and played with hooks | Luis Mario Garza (Pesado)

Money Mark y la magia de grabar con lo que tengas a la mano | Fernando Burgos (Hello Seahorse!)

Gustavo Santaolalla changed our destiny | Rubén Albarrán

Salir de Grupo Límite y aprender a seguir | Luis Mario Garza (Pesado)

20 años de Hello Seahorse! | Fernando Burgos (Hello Seahorse!)

Café Tacvba rejected big contracts | Rubén Albarrán

Playing without a metronome and surviving the stage | Luis Mario Garza (Pesado)

What does a music producer do? | Fernando Burgos (Hello Seahorse!)

Artificial intelligence also comes at a cost to our planet | Rubén Albarrán

The way they made me join Pesado… | Luis Mario Garza (Pesado)

But it was born from a process of maturation | Rubén Albarrán

The sacrifice behind a career in music | Luis Mario Garza (Pesado)

The real difference between being signed and being independent | Fernando Burgos (Hello Seahorse!)

This is how Revés Yo Soy was born | Rubén Albarrán

The real price of a music career | Luis Mario Garza (Pesado)

Músicos o creadores de contenido el dilema de hoy | Fernando Burgos (Hello Seahorse!)

Making others feel something is a privilege | Rubén Albarrán

From a makeshift drum kit to fulfilling a dream | Luis Mario Garza (Pesado)

Being a musician in this new world is strange | Rubén Albarrán

Beast, the turning point that changed the history of Hello Seahorse! | Fernando Burgos (Hello Sea...

Intocable decided to sound different from the regional style | Fernando Díaz

Don Óscar Flores, the key figure behind Grupo Límite | Luis Mario Garza (Pesado)

Hello Seahorse! was born thanks to MySpace | Fernando Burgos (Hello Seahorse!)

Reversal: I am born from tiredness | Rubén Albarrán

Growing up in the 80s: A more realistic life | Luis Mario Garza (Pesado)

The real challenge of making a living from music | Fernando Burgos (Hello Seahorse!)

The Importance of Re in Retrospect | Rubén Albarrán

He was 19 years old and already experiencing success with Grupo Límite | Luis Mario Garza (Pesado)

Is technology lowering the quality of music? | Fernando Burgos (Hello Seahorse!)

Chile believed in us when no one else did | Rubén Albarrán

Alejandro Sanz y el éxito detrás de su carrera | Fernando Díaz

How do you maintain your energy after 30 years of touring? | Luis Mario Garza (Pesado)

The realities of life within Café Tacvba | Rubén Albarrán

Not consuming is also a political stance | Rubén Albarrán

I was never a Soda Stereo fan | Rubén Albarrán

Corridos as a mirror of reality | Rubén Albarrán

We saw Caifanes as unattainable | Rubén Albarrán

Confronting the fact that I didn't sing "Eres" | Rubén Albarrán

The origin of “Childhood's End” | Rubén Albarrán

Playing in the Zócalo and the next day for 40 people | Rubén Albarrán

Maná and Café Tacuba were not competing | Rubén Albarrán

The golden cage of many bands | Toy Selectah

Death as an act of acceptance | Rubén Albarrán

The producer's real job is to conceptualize | Toy Selectah

Recording the object formerly known as a record in front of an audience | Rubén Albarrán

Success also has an expiration date | Toy Selectah

The Story of Rafi | Iván Fematt "La Mole"

Chilanga banda opened many doors for us | Rubén Albarrán

The origin of independent studios in Monterrey | Toy Selectah

Thanks to music I experienced things I never imagined | Iván Fematt "La Mole"

Gustavo Cerati, from a very human perspective | Rubén Albarrán

Cerati and the technology that defined his solo sound | Toy Selectah

Growing up also means becoming less dependent on your parents | Iván Fematt "La Mole"

The true story of “María Julia, help me”… | Iván Fematt “La Mole”