La convivencia de una banda después de 20 años juntos | Denise Gutiérrez

La enorme responsabilidad de ser el baterista de Pesado | Luis Mario Garza (Pesado)

El reto real del teatro en México hoy | Julieta González (Ocesa Teatro)

This is how Liran’ Roll was born in 1991 | Liran’Roll

Cobrar no te hace menos artista | Denise Gutiérrez

The longest show in Pesado's history | Luis Mario Garza (Pesado)

The importance of Alex Lora in the development of rock in Mexico | Liran'Roll

Artist vs. Entertainment | Denise Gutiérrez

The daily routine of Grupo Pesado on the road | Luis Mario Garza (Pesado)

¿Qué puede fallar en una obra de teatro musical? | Julieta González

Cumplir 60 años y seguir en el rock | Liran´Roll

How does Denise Gutiérrez take care of her voice after 15 years in the business? | Denise Gutiérrez

Joining Pesado was a dream come true | Luis Mario Garza (Pesado)

Today's musicians have it harder | Luis Mario Garza (Pesado)

La convivencia real detrás de Pesado | Luis Mario Garza

When you earn your first paycheck making music | Luis Mario Garza (Pesado)

The brotherhood between drummers | Luis Mario Garza (Pesado)

Constant cohabitation in a band can also be tiring | Rubén Albarrán

Café Tacvba and the art of conceptualizing | Rubén Albarrán

When he didn't have a drum set and played with hooks | Luis Mario Garza (Pesado)

Money Mark y la magia de grabar con lo que tengas a la mano | Fernando Burgos (Hello Seahorse!)

Gustavo Santaolalla changed our destiny | Rubén Albarrán

Leaving Grupo Límite and learning to move on | Luis Mario Garza (Pesado)

20 years of Hello Seahorse! | Fernando Burgos (Hello Seahorse!)

Café Tacvba rejected big contracts | Rubén Albarrán

Playing without a metronome and surviving the stage | Luis Mario Garza (Pesado)

What does a music producer do? | Fernando Burgos (Hello Seahorse!)

Artificial intelligence also comes at a cost to our planet | Rubén Albarrán

The way they made me join Pesado… | Luis Mario Garza (Pesado)

But it was born from a process of maturation | Rubén Albarrán

The sacrifice behind a career in music | Luis Mario Garza (Pesado)

The real difference between being signed and being independent | Fernando Burgos (Hello Seahorse!)

This is how Revés Yo Soy was born | Rubén Albarrán

The real price of a music career | Luis Mario Garza (Pesado)

Musicians or content creators: today's dilemma | Fernando Burgos (Hello Seahorse!)

Making others feel something is a privilege | Rubén Albarrán

From a makeshift drum kit to fulfilling a dream | Luis Mario Garza (Pesado)

Being a musician in this new world is strange | Rubén Albarrán

Beast, the turning point that changed the history of Hello Seahorse! | Fernando Burgos (Hello Sea...

Intocable decided to sound different from the regional style | Fernando Díaz

Don Óscar Flores la figura clave detrás de Grupo Límite | Luis Mario Garza (Pesado)

Hello Seahorse! was born thanks to MySpace | Fernando Burgos (Hello Seahorse!)

Reversal: I am born from tiredness | Rubén Albarrán

Growing up in the 80s: A more realistic life | Luis Mario Garza (Pesado)

The real challenge of making a living from music | Fernando Burgos (Hello Seahorse!)

The Importance of Re in Retrospect | Rubén Albarrán

He was 19 years old and already experiencing success with Grupo Límite | Luis Mario Garza (Pesado)

Is technology lowering the quality of music? | Fernando Burgos (Hello Seahorse!)

Chile believed in us when no one else did | Rubén Albarrán

Alejandro Sanz and the success behind his career | Fernando Díaz

How do you maintain your energy after 30 years of touring? | Luis Mario Garza (Pesado)

The realities of life within Café Tacvba | Rubén Albarrán

Not consuming is also a political stance | Rubén Albarrán

I was never a Soda Stereo fan | Rubén Albarrán

Corridos as a mirror of reality | Rubén Albarrán

We saw Caifanes as unattainable | Rubén Albarrán

Confronting the fact that I didn't sing "Eres" | Rubén Albarrán

The origin of “Childhood's End” | Rubén Albarrán

Playing in the Zócalo and the next day for 40 people | Rubén Albarrán

Maná and Café Tacuba were not competing | Rubén Albarrán